I told you Daredevil would sweep the awards.

Here’s the listing of the major awards, with a few notes right here as well as there:

CONGRATULATIONS TO THE HARVEY award WINNERS!

Here’s the listing of the major awards, with a few notes right here as well as there:

Best Colorist: Dave Stewart, Hellboy: The Fury. Hellboy’s stylized coloring is a crucial aspect to the general look of the book. A excellent option by the panel.

Best Syndicated strip Or Panel: Cul De Sac, Richard Thompson. So unfortunate that Parkinson’s is ending this strip….

Best Letterer: Chris Eliopoulos, concern Itself.

Best on the internet Comics Work: Hark! A Vagrant, Kate Beaton (). Beaton’s work is fabulous. She won a number of other awards as well. I likewise truly liked the work by Mike Norton, who was nominated for Battlepug in this category.

Best Inker: Joe Rivera, Daredevil. as well as Daredevil scores its very first win…

Best new Series: Daredevil. …And its second, beating Rachel Rising, which, if you’re not reading, you’re missing something amazing.

Most appealing new Talent: Sara Pichelli, utmost Spider-Man. I can’t reject Pichelli, however Nathan Edmondson’s who Is Jake Ellis? was likewise terrific.

Best original graphic publication For younger Readers: Anya’s Ghost.

Best Anthology: Dark equine Presents.

Best domestic Reprint Project: Walt Simonson’s The Mighty Thor Artist’s Edition. Yes!!!

Best Cover Artist: J.H. Williams, Batwoman. I can’t believe Paolo Rivera lost. I satisfied him at Baltimore Comicon on Sunday—hell of a guy.

Best graphic album Original: Jim Henson’s tale Of Sand.

Best continuing Or restricted Series: Daredevil. Beating Rachel Rising again!

Best Writer: mark Waid, Daredevil.

Best Artist: J.H. Williams, Batwoman beating Paolo Rivera again!

Best single problem or Story: Jim Henson’s tale Of Sand…Beating Daredevil!

As I strolled with Baltimore cc this weekend, I was surprised at exactly how lots of “indie” creators there are available with incredible talent, yet the people who truly get interest are the ones who work (or have worked) for marvel or DC. This goes to the disagreement in favor of the huge two having work for hire. great deals of people gripe about exactly how the page rate is as well low, or exactly how they screwed (Kirby/Moore/Ditko/fill in the blank), however all those people might make money—real money!—in art only since they were part of the Marvel/DC business machine. It’s great to see people like Brubaker, Rivera, Waid as well as others make their bones in the creator-owned world now, since it indicates they can make method for the Pichellis of the world: Newer creators who can “slave” in the Marvel/DC “pit” before they, too, ended up being popular sufficient to step on. That’s the method the world works in all professions, frankly